KENT GUSTAVSON :: THE PIANO
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A Historical and Practical Introduction to the Piano!
Just read below about the history of the piano, then find your own way to play -- go beyond the notes, past the page -- have fun with it!
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The piano is not an instrument traditionally used in bluegrass. Nevertheless, it is an instrument that is vital to American folk music, from ragtime to folk.
When playing with bluegrass music, a piano player should watch out not to step on any of the other instruments, as it is quite a bit louder and larger than most, and covers the range of all of them. That said, the piano can be a great substitute for any member of a band.
If the bass player doesn't show up, play the bass notes on the piano, in octaves. If the mandolin player doesn't show up, play chords on the off-beats up in the high register. If the singer feels weak, all alone in a high register, play the harmony line that another singer would sing!
In folk music, or bluegrass, or in jazz, it is very important that the player of the piano be loose him/herself -- taking liberties, giving shape to the performance! Take a leap of faith, and deviate from normal, staid techniques that are ingrained as a classical or church musician! Try to be free, and get into the joy of the performance!
It is important to recognize whether the piano is being played alone or with an ensemble. If playing with an ensemble, be sure that you do not overpower the other instruments. But at the same time, you can drive the other musicians (just don't drown out the singers!)... If playing alone, take charge, and feel yourself taking the place of many instruments. Play the bass notes as if plucked by an upright bass. Play the chords as if strummed by a fast-chopping mandolin. Play the melody or harmony as if it were being sung at high energy!
And have fun with it!
For more information on the piano, google it here!
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